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              <text>María José Cabezas Corcione. Poeta chilena nacida en 1982, magíster en Literatura de la Universidad de Chile y licenciada en Literatura Creativa de la Universidad Diego Portales. Es autora de los libros Oscurece al fin (autoedición, Santiago, 2008), Confabulación crítica. Asedios a Juan Luis Martínez (Ediciones Tácitas, Santiago, 2009) y Luis Omar Cáceres. El ídolo creacionista (Ediciones Lastarria, Santiago, 2014).</text>
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              <text>Poetas: Alexis Donoso / Bruno Serrano Navarro/ Diego Lazarte / Elena Fuentes/ Galo Ghigliotto / Javier Norambuena   Jorge Cid / Leticia Cortes / Lorena Tiraferri/ Marcos Arcava / Mariela Malhue,  Milton Leiva / í“scar Saavedra/ Rafael Farías / Vanessa Martínez</text>
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              <text>Paredes G., Yenny, 1968-, Chilena. Poeta, grafitera, dibujante y activista cultural, profesora, Licenciada en Castellano y Magister en Comunicación.</text>
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                <text>Manoblanca y los pájaros del pavimento</text>
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                <text>El Kultrún</text>
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              <text>He aquí un libro que me enorgullece. En él han colaborado varios de los mejores poetas mapuches de nuestros días. A continuación algunos anticipos de esta antología poética. (En esta breve selección no incluí ningún texto en mapudungun, la lengua mapuche, de los cuales hay sí muchos en el libro).       Introducción: "Que llueva"  Graciela Huinao :  La Máscara del Hambre  Elicura Chihuailaf :  La llave que nadie ha perdido  Leonel Lienlaf : Bajan gritando ellos sobre los campos  María Teresa Panchillo Neculhual : Que nuestra vida continúe  Roxana Miranda Rupailaf : Evas / Rituales  Weuwen Nagtí¼l (Manuel Nagantu) : Desde el encierro  David Aniñir Guilitraro : Mapurbe  Bernardo Colipán : Y también un día como las garzas soñamos...  Paulo Huirimilla : Ulkantun para la Poesía  Salvador Marimán : La Señora Marta  Carmen Curiche : Padre  Adriana Paredes Pinda : Memorias  Maribel Mora Curriao: íœlkantun, V  Prólogo de Osvaldo Bayer</text>
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                <text>Antología de la poesía mapuche contemporánea por Néstor Barron    "Kallfv mapu. Tierra azul. Ya el título invita a cambiar de escenario. Entrar en poesía. Comento a leer y, sin notarlo, abro la boca, como si quisiera que las palabras entraran, permanecieran allí, y después abrirla y que los labios comenzaran a pronunciarlas en otro tono. La poesía. La poesía azul. Quisiera estudiar el idioma mapuche para escuchar la misma poesía pero con otros sonidos. Los sonidos azules de la tierra. Poesía mapuche contemporánea. Una poesía que no conocemos. Que siempre fue escondida por la cultura oficial. Â¿Por qué? Sí dios, los habitantes de la tierra azul, viven en esa tierra desde siempre, milenarios en estas pampas interminables. Tienen tanto que decirnos! Tienen tanto que enseñarnos... En este libro empedremos a conocerlos como son. Nos muestran un mundo distinto al nuestro. Con ellos viven las piedras, los colores, los arroyos; nos hablan los árboles, los ojos de la naturaleza viva en la noche; nos traducen los cantos de los pájaros que son distintos hora tras hora, y también las palabras del viento al pasar por la tierra azul..."</text>
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                <text>Poemario de Rodrigo Landaeta.</text>
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                <text>Gracias Madre Tierra (Poesia Campesina)</text>
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              <text>Participantes: Lorenzo Aillapán (Mapuche), Liliana Ancalao (Mapuche), David Aniñir (Mapuche), José Luis Ayala (Aymara), César Cabello (Mapuche), Rosa Chávez (Maya), Víctor Cifuentes (Mapuche), Marcial Colín (Mapuche), Bernardo Colipán (Mapuche), Briceida Cuevas Cob (Maya), Susy Delgado (Guaraní), Odi González (Quechua), Jaime Huenún (Mapuche), Graciela Huinao (Mapuche), Paulo Huirimilla (Mapuche), Pedro Humire (Aymara), Ariruma Kowii (Quichua), María Isabel Millapán Lara (Mapuche), Carlos Levi (Mapuche), Leonel Lienlaf (Mapuche), Ricardo Loncón (Mapuche), Miguel íngel López-Hernández (Wayuu), Macario Matus (Zapoteca), César Millahueique (Mapuche), Roxana Miranda Rupailaf (Mapuche), Maribel Mora Curriao (Mapuche), Dourvalino Moura Fernández (Desana), Mario Nandayapa (Maya), María Teresa Panchillo (Mapuche), Eliana Pulquillanca (Mapuche), Erwin Quintupil (Mapuche) y José Teiguel (Mapuche).</text>
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                <text>Antologia de poesia indigena latinoamericana. Los mas de 600 pueblos indigenas, originarios de AmericaLatina, han mantenido sus tradiciones por medio de una oralidad que se niega a olvidar; que se niega a ceder ante la modernidad y, que intenta por ultimo, anclar las diversas manifestaciones culturales que estas comunidades producen, de manera que formen parte de una sociedad que los desconoce, y que a veces niega esta parte de sus raices.Jaime Huenun, el compilador de esta antologia, hara el esfuerzo por hacernos participes de la labor de un grupo de poetas indigenas que, a traves de sus versos, nos ensenan las distintas vinculaciones que tendran con la sociedad, la naturaleza, la vida, la muerte y la identidad. Como bien senala el compilador, detras de muchos de los autores canonizados por el sistema aparece la voz y los cantos ocultos de raiz indigena: Por debajo de la sintaxis quebrada de Cesar Vallejo, por ejemplo, habita la honda letania chimu de sus abuelos. En la recitacion de los alejandrinos enjoyados de Ruben Dario se deja oir el coro choroteca y la sinfonia vegetal de la comunidades mayas.</text>
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              <text>Agua fuerte es una técnica de grabado, el libro tiene esa analogía de grabado del metal sobre el metal para la impresión. Nuestras cicatrices y arrugas vienen siendo un agua fuerte de la propia historia de nuestras vidas. El ser un 80% agua nos rige la vida en fluidos, como las lágrimas, la sangre, etc.&#13;
&#13;
“Agua fuerte” muestra la visión del poeta frente al lenguaje y la sintaxis y nos invita a ver una cuidad donde nos movemos tranquilos casi sin luz, pero con la seguridad que nos entrega los versos de González.&#13;
Y como lo dice el mismo autor debería bastar con un libro lleno de poemas y no con una biografía , ni comentario. Aludiendo quizás a la contratapa de su libro que es una referencia general del poeta como un personaje mas de una generación, y que viene siendo una invitación a leer poesía.&#13;
&#13;
Fuente: https://bibliotecapaulharris.wordpress.com/2008/06/23/presentacion-libro-aguafuerte/</text>
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              <text>Autores antologados:  Lorenzo Aillapán, 1940 /  Liliana Ancalao, 1961 /  Cristán Antillanca, 1974 /  David Añinir, 1970 /  César Cabello, 1977 /  Sonia Caicheo, 1943 /  Jacqueline Caniguán, 1970 /  Víctor Cifuentes, 1977 /  Marcial Colín, 1970 /  Bernardo Colipán, 1966 /  Emilio Guaguín, 1975 /  Jaime Luis Huenún, 1967 /  Omar Huenuqueo, 1971 /  Graciela Huinao, 1956 /  Paulo Huirimilla, 1973 /  María Isabel Lara, 1979 /  Carlos Levi, 1968 /  Leonel Lienlaf, 1969 /  Ricardo Loncón, 1956 /  Faumelisa Manquepillán, 1960 /  Tamym Maulén, 1985 /  César Millahueique, 1961 /  Roxana Miranda, 1982 /  Maribel Mora, 1970 /  Ramón Quichiyao, 1951 /  Erwin Quintupil, 1958 /  José Teiguel, 1960 /  Miriam Torres, 1970 /  Héctor Véliz, 1960</text>
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                <text>Poemario de Clemente Riedemann - Cí“MO NO VER EN ESTE ATREVIDO E IRREVERENTEPOE-  ma narrativo un paralelo entre el destino del poeta y el del corsario, ambos empecinados en su propia Odisea, ambos sujetos a los ayatares de una existencia que bordea y trasgrede los límites, ambos empeñados en una empresa que vacila entre el deseo y la muerte, entre la  gloria y la derrota final.   Manuel Silva Acevedo  HABIENDO PERDIDO AL DIOS-PADRE, BROUWER, Â«Holandés erranteÂ», vive en la conciencia popular y deviene en una especié dé memoria histórica de la comunidad, que evalúa el desarrollo del capitalismo entre el siglo xvii y el xxi y mira retrospectivamente la historia de Valdivia y su propia historia personal, donde se entrecruzan y se: igualan la voz del pirata y'la del poeta.  Ana Traverso  LA ODISEA DE BROUWER, NAVEGANTE DRAMíTICO, ES-carba en los horizontes de una existencia que se sostiene  entre la voluntad fundacional y la inevitable'épica del  naufragio.   Personaje conradiano que asciende al más  allá donde se redimen los que perdieron la brújula.  Oscar Barrientos Bradasic</text>
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